Oscar winners. Method actors. A list superstars. None of it mattered.
Comic book movies are supposed to be the pinnacle of blockbuster entertainment. Massive budgets. State of the art effects. Characters beloved by generations of fans. When casting hits right, you get Robert Downey Jr. making Tony Stark iconic or Heath Ledger redefining what a villain can be.
But when it goes wrong? Oh boy, does it go spectacularly, embarrassingly, career damagingly wrong.
These aren’t just bad performances in mediocre movies. These are disasters that became internet memes. Roles that talented actors still apologize for years later. Choices so baffling that you wonder what anyone involved was thinking.
Some blamed bad directing. Others pointed to hellish productions and studio interference. A few admitted they were just collecting paychecks and doing the bare minimum. Whatever the reason, these performances stand as warnings about what happens when comic book adaptations go horribly off the rails.
From Oscar winners phoning it in to method acting disasters that traumatized entire casts, here are the 10 absolute worst performances in comic book movie history, ranked from merely bad to career ending catastrophes.
10. Natalie Portman As Jane Foster In Thor: The Dark World (2013)
Credits: The Independent
An Oscar winner reduced to damsel in distress duties. That’s the tragedy of Natalie Portman in Thor: The Dark World.
This is not a talent issue. Portman can act. She won an Academy Award for Black Swan. She’s delivered powerful performances across decades. But her portrayal of Jane Foster in the Thor sequel feels like someone doing community service.
She spends most of the movie looking annoyed and angsty. Her performance is weirdly cheesy. The character who was a competent scientist in the first Thor got reduced to someone who needs constant rescuing.
The chemistry between Thor and Jane completely evaporates in this sequel. Chris Hemsworth tries his best but you can tell even he knows something’s off. Then when Tom Hiddleston’s Loki enters scenes, it becomes painfully obvious where the real chemistry lies. Portman feels like a third wheel in her own love story.
The problem wasn’t just the script, though that deserves blame too. Portman clearly checked out emotionally. You can see it in her eyes. She’s present physically but mentally somewhere far away, probably calculating how much longer she has to endure this.
The reception was brutal enough that Portman didn’t return for Thor: Ragnarok. Director Taika Waititi wisely wrote Jane out, explaining she and Thor broke up off screen. The movie was infinitely better for it.
Marvel eventually brought Portman back for Thor: Love and Thunder in 2022, giving her the Mighty Thor storyline from the comics. That film had issues too, but at least Portman seemed engaged this time. Having actual character development and agency will do that.
The Dark World remains a low point in the MCU. Portman’s disinterested performance is a big reason why. When your romantic lead can’t muster enthusiasm for the romance, the whole movie suffers.
Share this with anyone who pretends Thor: The Dark World is good actually.
9. George Clooney As Batman In Batman And Robin (1997)
Credits: THR
George Clooney didn’t play Batman. He played George Clooney in a batsuit with nipples.
There’s no voice modulation. No change in mannerisms. No attempt to create a character separate from himself. He’s just Clooney being Clooney while wearing ridiculous rubber armor and delivering terrible puns about ice.
Throughout the entire film, he looks like someone who knows exactly how bad the movie is and cannot wait for it to end. That defeated energy permeates every scene. He’s not trying because he knows trying won’t save this disaster.
Clooney later explained most of his dialogue had to be recorded in ADR sessions in a studio, separate from filming. He absolutely hated the process. That explains why his performance feels so hollow and disconnected from everything happening on screen.
But what makes Clooney’s Batman legendary is his honesty about it afterward. He hasn’t just acknowledged it was bad. He’s been brutally, hilariously honest about the failure.
He apologized to fans at Comic Con. He’s said watching the movie causes him physical pain. He refuses to let his wife Amal see it because he doesn’t want her to lose respect for him. That’s an actual quote. A man married to a brilliant international human rights lawyer is terrified she’ll think less of him if she sees him as Batman.
When Ben Affleck was cast as Batman for Batman v Superman, Clooney called him and warned him not to take the role. Affleck ignored the advice, and given how that turned out, maybe he should have listened.
The trauma ran so deep that Clooney avoided superhero movies entirely for the rest of his career. Can you blame him? Batman and Robin didn’t just fail. It became shorthand for superhero movie failure. A cautionary tale. A punchline.
Joel Schumacher’s campy approach to Batman might have worked in a different era. But asking George Clooney, one of the smoothest actors alive, to deliver ice puns while wearing a suit with molded muscles and nipples was setting everyone up for disaster.
The movie nearly killed the Batman franchise. Warner Bros. shelved Batman plans for eight years until Christopher Nolan convinced them he could salvage it with Batman Begins.
Clooney’s performance isn’t malicious. It’s just completely wrong. He’s charming in real life, so he tried being charming as Batman. But Batman isn’t charming. He’s traumatized, obsessive, and terrifying. Clooney brought none of that.
Tag someone who needs to understand why Clooney apologizes for this constantly.
8. Kekoa Kekumano As Young Arthur Curry In Aquaman (2018)
Credits: Collider
This one hurts because the scene is supposed to be emotionally devastating.
Young Arthur discovers his mother didn’t actually abandon him. She was executed by Atlanteans for falling in love with a human and having a half breed son. It’s meant to explain Arthur’s lifelong bitterness toward Atlantis and his complicated relationship with his heritage.
Instead, the scene became unintentionally hilarious because of Kekoa Kekumano’s acting. He was clearly cast because he looks like a younger Jason Momoa. That’s where the similarities end.
His performance is genuinely tough to watch. He puts on a weird accent that’s immediately noticeable and doesn’t match Momoa’s voice at all. He squints hard because he can’t cry on command. He overacts by bobbing his head around in bizarre ways.
It’s the kind of performance that makes Hallmark Channel actors look like method masters. Every line reading is awkward. Every emotional beat misses. The scene that’s supposed to wreck viewers emotionally instead makes them cringe.
Director James Wan deserves some blame here. Child actors need guidance. Someone should have stepped in and either coached better performance or recast. The fact this made the final cut of a 200 million dollar movie is baffling.
The Aquaman movie is fun despite this scene. Momoa brings charisma. The underwater visuals are stunning. The action sequences deliver. But whenever this flashback pops up, the movie grinds to a halt.
Kekumano hasn’t had much acting work since. One bad performance in a major blockbuster can be career defining in the worst way, especially when it becomes a meme.
Don’t miss how one scene can nearly derail an entire movie.
7. Wesley Snipes As Blade In Blade: Trinity (2004)
Credits: THR
Wesley Snipes looks completely checked out in Blade: Trinity. That’s because the production was an absolute nightmare.
Director David S. Goyer has called it the worst experience of his entire career. That’s saying something considering he’s worked in Hollywood for decades. The behind the scenes chaos was legendary and most of it centered on Snipes’ behavior.
Snipes hated the script. He felt the studio was pushing him out of his own franchise while shoving Ryan Reynolds and Jessica Biel into supporting roles that got more attention. He wasn’t entirely wrong. The movie does sideline Blade for younger, quippier characters.
But his response was nuclear. He clashed constantly with Goyer. Things got so bad that Snipes allegedly refused to leave his trailer unless it was for close up shots. A stand in handled everything else. Think about that. The star of the movie, playing the title character, refused to show up for most of filming.
It gets better. Snipes stopped speaking to Goyer entirely. He communicated only through Post it notes, all signed “Blade.” Not Wesley Snipes. Blade. He fully committed to the method of being difficult.
The most infamous example: the movie’s final scene. Blade is presumed dead but he’s meant to open his eyes in the last shot, revealing he survived. Snipes refused to do it. The filmmakers had to add CGI eyes instead. They look laughably bad. You can tell they’re digital. It’s the perfect encapsulation of how dysfunctional this production was.
Snipes’ on screen performance reflects all that chaos. He’s not inhabiting Blade. He’s barely present. The fight scenes lack energy. The dialogue feels lifeless. He’s going through the motions, collecting a paycheck, waiting for it to end.
The movie killed the Blade franchise for years. Marvel eventually rebooted it with Mahershala Ali, but that project has had its own development issues. The curse of Blade continues.
Snipes redeemed himself slightly with a cameo in Deadpool and Wolverine, where he got to poke fun at the Blade: Trinity disaster. But the performance in Trinity remains a masterclass in what happens when actor and production are in open warfare.
Share with anyone who thinks method acting is always admirable.
6. Marion Cotillard As Talia Al Ghul In The Dark Knight Rises (2012)
Credits: THR
Marion Cotillard is a brilliant actress. Her death scene in The Dark Knight Rises is one of the funniest unintentionally bad moments in movie history.
Let’s address the character first. Talia al Ghul’s reveal comes completely out of left field. The twist undermines Bane’s entire arc, reducing him from terrifying revolutionary to someone’s henchman. She’s nothing like the comic version of the character. The whole subplot feels shoehorned in.
But bad writing doesn’t excuse bad acting. And Cotillard’s death scene is spectacularly awful.
She’s been mortally wounded. Her truck crashes. She knows she’s dying. Instead of playing it realistically, she does this stiff, robotic head roll. Her eyes snap shut like a toy running out of batteries. It looks like a kid pretending to fall asleep when their parents check on them.
It’s so bad it became an instant meme. People recreated it. It got parodied. It became one of those moments that defines bad movie deaths alongside Tommy Wiseau in The Room.
Cotillard later admitted she didn’t nail the scene. She blamed stress and awkward positioning in the crashed truck. That’s fair. Film sets are uncomfortable. Action scenes are complicated.
But here’s the thing: that’s what multiple takes are for. Directors choose which take makes the final cut. Christopher Nolan is a perfectionist. He’s made some of the best films of the 21st century. Somehow he watched this death scene and said “that’s the one.”
It’s a Nolan oversight. Actors trust directors to protect them, to choose takes that work. This should never have made the final cut. A movie as meticulously crafted as The Dark Knight Rises shouldn’t have a moment that makes audiences laugh during what’s meant to be a tragic villain death.
The scene doesn’t ruin the movie. The Dark Knight Rises has bigger problems. But it’s a blemish on an otherwise technically proficient production. And it’s become what Cotillard is most associated with in superhero movies, which is unfortunate given her actual talent.
Tag anyone who’s recreated this death scene for laughs.
5. Gal Gadot As Diana Prince In Wonder Woman 1984 (2020)
Credits: Heroic Hollywood
Gal Gadot was already being mocked for her delivery of “Kal El, no” in Justice League. Wonder Woman 1984 made things exponentially worse.
The first Wonder Woman played to Gadot’s strengths. She had to be earnest, hopeful, and physically commanding. The script protected her from needing too much dramatic range. It worked beautifully. That movie succeeded partly because it understood what Gadot could do well and built around it.
Wonder Woman 1984 had no such protection. The script demanded emotional complexity and dramatic range that exposed Gadot’s limitations. Her stiff, monotone delivery that was charming in the first film became glaringly problematic in the sequel.
There’s a specific scene that became this movie’s “Kal El, no.” Diana jumps onto Maxwell Lord’s car. She needs to demand he return the Dreamstone and explain the danger he’s unleashing. It’s a crucial moment.
What we get is Gadot delivering the lines in her signature monotone: “Max Lord, you’re putting yourself and everyone else in grave danger. I need you to give me the stone. What happened to it?”
Zero urgency. Zero emotion. She sounds like someone ordering coffee, not confronting a reality warping villain about to destroy the world.
Pedro Pascal sits there looking genuinely flabbergasted. His blank stare feels less like acting and more like his authentic reaction to how bad the delivery was. It’s like he forgot his lines because he couldn’t believe what he just heard.
The performance throughout Wonder Woman 1984 suffers from this flatness. Gadot looks gorgeous. The action scenes showcase her physicality. But anytime she needs to convey complex emotion through dialogue, it falls apart.
Critics and audiences noticed. The movie got mixed reception partly because of the messy script and bizarre choices. But Gadot’s performance was a consistent complaint. When your lead can’t sell the emotional stakes, the whole movie suffers.
Gadot has acknowledged she’s more action star than dramatic actor. She’s carved out a successful career playing to her strengths. But Wonder Woman 1984 asked for more than she could deliver, and the results speak for themselves.
Don’t sleep on how crucial casting is to character driven superhero stories.
4. Jesse Eisenberg As Lex Luthor In Batman V Superman: Dawn Of Justice (2016)
Credits: The Playlist
Jesse Eisenberg’s Lex Luthor is one of the most infamous miscastings in superhero history.
Lex Luthor in the comics is cold, calculating, and intimidating. He’s a genius businessman who genuinely believes Superman is a threat to humanity. He’s methodical and terrifying in his rationality.
Eisenberg plays Lex as a twitchy, eccentric tech bro having a perpetual nervous breakdown. He’s fidgety and annoying. He talks in riddles and metaphors. He’s exhausting to watch, not because he’s compelling but because the performance is so grating.
Eisenberg later explained he pulled from his own anxieties and OCD. He tried shaping Lex into a modern Silicon Valley type villain. On paper, that idea isn’t terrible. Tech billionaires as modern villains could work.
But it clashes horribly with Batman v Superman’s ultra serious tone. Zack Snyder’s movie is grim, dark, and self important. It takes itself completely seriously. Then Eisenberg shows up doing a Jim Carrey impression and the tonal whiplash is jarring.
It also feels completely disconnected from what fans love about Lex Luthor. The character works because he’s Superman’s intellectual equal. He’s threatening because he’s smart and controlled. Eisenberg’s twitchy performance makes him feel unhinged and incompetent.
The backlash was immediate and brutal. Fans hated it. Critics hated it. The performance became shorthand for everything wrong with DC’s cinematic universe at the time.
Eisenberg has been honest about the damage it caused. He’s admitted the role “hurt my career in a real way.” That’s a direct quote. An Oscar nominated actor’s career trajectory changed because of how poorly received this performance was.
He also said it’s “embarrassing to admit” how much professional damage one role caused. That’s devastating. Imagine being talented enough to earn an Oscar nomination then having one superhero role nearly derail everything.
Some defenders argue Eisenberg was playing Alexander Luthor, Lex’s son, not the traditional Lex. The movie does reference his father. But that distinction doesn’t matter when the performance is this polarizing.
Batman v Superman had many problems. Eisenberg’s Lex Luthor became the most visible target for fan frustration. Whether that’s fair or not, it’s reality. The performance failed to connect with audiences and damaged both the movie and the actor’s career.
Share with anyone who still defends this casting choice.
3. Dakota Johnson As Cassandra Webb In Madame Web (2024)
Credits: THR
A lot went catastrophically wrong with Madame Web. Dakota Johnson’s visibly checked out performance is a major reason why.
From the first frame, Johnson looks like this role is beneath her. She’s not inhabiting Cassandra Webb. She’s enduring the experience, counting down until she can collect her paycheck and leave.
The behind the scenes disaster explains some of it. Johnson has been brutally honest in interviews about how the production went sideways. She signed on for one movie. While making it, the project morphed into something completely different.
In her words: “You sign on to something, and it’s one thing, and then as you’re making it, it becomes a completely different thing. Of course, it’s not nice to be a part of something that’s ripped to shreds.”
That frustration bleeds through in every scene. She’s stuck in a movie she never originally agreed to make. The script changed. The tone shifted. She couldn’t escape.
This was also Johnson’s first CGI heavy movie. She hated every second. Acting against blue screens with fake explosions happening in post production is challenging. Johnson found it “absolutely psychotic.”
She’s since said she will never do anything like it again. That’s how traumatic the experience was. A major star categorically refusing an entire genre of filmmaking because one production was that miserable.
The performance shows that misery. Johnson delivers lines with zero conviction. The action scenes feel perfunctory. The emotional beats don’t land because she’s not invested in making them work.
Madame Web flopped critically and commercially. It became a punchline. Johnson’s performance was consistently cited as a major problem. When your lead actor doesn’t care, why should the audience?
To be fair to Johnson, she’s talented in the right material. Fifty Shades movies were problematic but she did her best with terrible scripts. Her other work shows range and capability.
But Madame Web represents everything wrong with superhero movies made by committee, changed constantly, and released despite everyone involved knowing it’s a disaster. Johnson’s checked out performance is the visible symptom of a broken process.
Tag someone who sat through Madame Web and regretted it immediately.
2. Jared Leto As The Joker In Suicide Squad (2016)
Credits: THR
When the first image of Jared Leto’s Joker dropped, fans knew this was going to be a disaster.
The “Damaged” forehead tattoo. The grill covering his teeth. The tryhard gangster aesthetic. He looked like an angsty teenager’s idea of edgy, not a terrifying criminal mastermind.
What remains in the theatrical cut is genuinely painful to watch. Most of his scenes got cut, thankfully. But what survived is cringeworthy from start to finish.
Leto plays the Joker as a violent pimp. All the menace and psychological horror of the character gets replaced with empty posturing. He’s trying so hard to be scary that it loops back around to embarrassing.
But the on set behavior is what made this legendary for all the wrong reasons. Leto decided to method act the Joker. Not by understanding the character psychologically. By traumatizing his castmates.
He sent “gifts” to the cast. Will Smith got bullets. Margot Robbie received a love letter with a live rat in a box. The entire cast got a video featuring a dead hog. These aren’t exaggerations or rumors. Multiple cast members confirmed this happened.
Other gifts included used condoms, anal beads, dildos, and pornographic magazines. Viola Davis called the arrivals “horrific.” Cast members didn’t know what disturbing package would arrive next.
Leto defended this by saying he wanted to create “an element of surprise” and “break down walls.” He claimed the Joker doesn’t respect personal boundaries so neither should he.
That’s not method acting. That’s harassment. Creating hostile work environment isn’t preparation. It’s unprofessional behavior disguised as artistic commitment.
The irony is the performance didn’t even benefit from this chaos. Leto doesn’t inhabit the Joker. He performs a caricature. All that boundary crossing, all that trauma inflicted on colleagues, for a performance that ended up mostly on the cutting room floor.
The backlash was severe. Leto went from respected Oscar winner to one of Hollywood’s most mocked actors. Every subsequent role was met with skepticism and ridicule. His reputation never fully recovered.
Suicide Squad director David Ayer has tried rehabilitating the movie’s image, claiming his cut was better. Even in that hypothetical version, it’s hard to imagine Leto’s performance working.
The worst part? Heath Ledger had just redefined what the Joker could be in The Dark Knight. His performance was terrifying, complex, and utterly magnetic. Leto had to follow that. Instead of honoring Ledger’s legacy or finding his own compelling interpretation, he delivered this disaster.
Jared Leto’s Joker is a cautionary tale about method acting gone wrong, studio interference, and the dangers of trying too hard to be edgy.
Don’t miss the masterclass in how not to approach an iconic character.
1. Halle Berry As Patience Phillips In Catwoman (2004)
Credits: Slashfilm
This is it. The gold standard for comic book movie embarrassment. The performance so bad the actress showed up to accept her Razzie Award in person.
Halle Berry’s Catwoman is cringeworthy from the opening credits to the final frame. The performance is packed with exaggerated cat behavior that never works. She rubs her face in catnip. She hisses at people. She eats tuna straight from the can. She purrs.
None of it feels like character work. It’s pantomime. It’s what someone who’s never seen a cat might think is catlike behavior.
Then there’s the infamous basketball scene. Catwoman plays basketball against children while wearing a leather outfit with baggy sleeves that make dribbling impossible. The scene is bizarrely sexualized despite being in front of kids. The physics don’t work. The tone is all wrong. Nothing makes sense.
This wasn’t a script issue alone, though the script deserves enormous blame. Berry’s performance choices elevated the badness. She committed fully to the most ridiculous interpretation possible.
The movie bombed critically and commercially. It won multiple Razzies including Worst Picture and Worst Actress. Berry did something remarkable: she showed up to accept Worst Actress in person.
She held her Oscar in one hand and her Razzie in the other. She thanked Warner Bros. for “putting me in a godawful movie.” She joked it was “just what my career needed” and that Catwoman “plummeted me to the bottom.”
That self awareness and humor saved her career. Acknowledging the disaster head on, owning it with grace and comedy, endeared her to people. If she’d been defensive or made excuses, the damage would have been permanent.
Instead, Berry’s Razzie acceptance became legendary. She turned catastrophic failure into humanizing moment. She proved stars can survive terrible movies if they’re honest about them.
But the performance itself remains unwatchable. Every frame is a new level of cringe. The costume is ridiculous. The dialogue is terrible. Berry’s delivery makes it worse.
Catwoman represents everything that can go wrong with superhero movies. Studio interference. Bad creative vision. An actor making bizarre choices without anyone stopping them. It’s a perfect storm of failure.
The movie also had nothing to do with Batman’s Catwoman. It was an original story using the name for brand recognition. Fans wanted Selina Kyle. They got Patience Phillips and cat basketball.
Warner Bros. buried the project after release. They pretended it never happened. When other DC movies referenced the studio’s history, Catwoman was conspicuously absent.
Halle Berry survived and thrived despite Catwoman. But the performance stands as the ultimate example of how spectacularly wrong comic book casting can go.
Tag anyone who needs to witness this disaster to believe it’s real.
The Common Thread Of Disaster
What connects these performances? What makes them stand out as the absolute worst?
Several factors repeat across this list.
First: production chaos. Blade: Trinity, Madame Web, and Suicide Squad all had nightmare shoots. When production is a disaster, performances suffer. Actors can’t do their best work in toxic environments.
Second: miscasting. Eisenberg as Lex Luthor, Leto as Joker, Clooney as Batman. These are talented actors playing roles completely wrong for them. No amount of effort could save fundamentally flawed casting.
Third: bad direction. Marion Cotillard’s death scene should never have made the final cut. Kekumano needed better coaching. Directors protect actors by choosing the right takes. These directors failed that basic responsibility.
Fourth: CGI overload. Dakota Johnson and Gal Gadot both struggled with blue screen heavy productions. Acting against nothing is challenging. These performances show what happens when actors can’t connect to their environment.
Fifth: phoning it in. Portman in Thor 2, Clooney in Batman and Robin. Both were visibly checked out. When actors don’t care, audiences can tell instantly.
The lesson? Making good superhero movies requires everything clicking: casting, directing, writing, production environment. When one element fails badly enough, it can doom the entire project.
These 10 performances are warnings. They’re what happens when studios prioritize brand recognition over storytelling. When method acting becomes excuse for bad behavior. When productions spiral into chaos without anyone taking control.
What These Actors Did Next
The aftermath of these performances varied wildly.
Halle Berry owned her failure and moved on. Her career recovered. She’s remained a working actress in major projects.
George Clooney turned Batman and Robin into a punchline he controls. He tells the jokes before anyone else can. That self deprecation protected him.
Natalie Portman returned to prestige films and eventually came back to Marvel on better terms. Thor: Love and Thunder gave her actual material to work with.
Wesley Snipes had legal troubles that complicated his career more than Blade: Trinity. The movie was a disaster but other factors affected his trajectory.
Marion Cotillard’s one bad scene didn’t hurt her career. She’s continued working in acclaimed films. The death scene is a meme but not a career ender.
Gal Gadot remains Wonder Woman despite criticism. She’s box office draw even if her acting gets mocked.
Jesse Eisenberg has been honest about the career damage. He’s continued working but been more selective. The Lex Luthor backlash genuinely hurt him.
Jared Leto’s reputation never fully recovered. Every role since gets scrutinized. The Joker disaster follows him everywhere.
Dakota Johnson probably won’t do another superhero movie. Madame Web traumatized her enough to avoid the genre entirely.
Kekumano hasn’t had significant roles since Aquaman. One bad performance in a major blockbuster can be career defining for young actors.
The lesson? Surviving bad comic book movie performances requires either undeniable talent elsewhere, brilliant damage control, or both.
The Future Of Comic Book Movie Acting
These disasters teach valuable lessons for future productions.
Cast actors who fit the roles naturally. Don’t force square pegs into round holes because of name recognition.
Protect actors during production. Give them proper direction. Choose the right takes. Create environments where good work is possible.
Don’t rely on CGI to fix acting problems in post. If performances aren’t working on set, they won’t work on screen.
Respect the source material and understand what fans love about characters. Jesse Eisenberg’s Lex failed partly because it ignored what makes the character work.
Allow actors to opt out of projects that aren’t working. Forcing miserable actors through productions creates disasters like Madame Web.
Stop treating method acting as excuse for unprofessional behavior. Jared Leto’s Joker showed how toxic that approach can become.
Most importantly: prioritize storytelling over brand exploitation. The worst performances often happen in movies that exist only to capitalize on intellectual property without understanding why those characters matter.
Comic book movies aren’t going anywhere. The genre dominates cinema. But quality control matters. Audiences will forgive many sins except bad acting in roles they care deeply about.
Your Turn To Judge
Which performance do you think is the absolute worst? Does Halle Berry’s Catwoman deserve the top spot or is there something even worse?
Did any of these actors deserve more sympathy for nightmare productions? Or should professionals be able to deliver regardless of circumstances?
What other comic book movie performances deserve mention? This list focuses on the worst of the worst but there are dozens more bad performances in superhero movie history.
Should actors be more selective about superhero roles? Or should they take the paycheck and hope for the best?
Drop your hot takes below. Defend the indefensible. Share stories about suffering through these movies in theaters. Tag friends who need to experience these disasters.
The worst comic book movie performances teach as much as the best ones. They’re warnings about what not to do. Cautionary tales about the gap between potential and execution.
They’re also endlessly entertaining to discuss. Nothing bonds movie fans like shared trauma over terrible performances in beloved properties.
So share this with every comic book fan you know. Start arguments about whether Leto or Berry deserves the worst performance crown. Debate whether any of these actors could have salvaged their roles with better direction.
Because bad comic book movies are temporary. But mocking bad comic book movie performances? That’s forever.
